I have always appreciated the multi-dimensional aspect of bookbinding. It is neither solely a creative outlet of beautiful works of art, nor solely a trade producing an object that must be usable and durable (and saleable): for me it us both of those things at once. I love that as bookbinders, we are creating something that is nice to look at, to touch, and to hold (and listen to: I love the sound when I snap a book closed, or the sound of a finger tapped on a closed book’s cover, dok dok dok), but also serves a definite purpose as an information repository, a place to pour out one’s heart through words or pictures, or as a vehicle transporting one to another world via a great story—books are there to be used.
In days gone by, bookbinding by hand was a big trade, with lots of workers all performing separate tasks in big factories. All this has now been mostly superseded by some amazing machinery (and amazing people who run them), and has now become a niche trade with only a few companies around maintaining the old ways, some of whom also maintain the old books. Mostly, hand bookbinding has become an art-form, a hobby for people like me and perhaps you. Nevertheless, I believe it is still important that we who practice this trade–craft as a hobby learn the skills, techniques, and methods of traditional tradesmen and women.
Since starting my Bookbinding and Restoration course at Sydney Institute of TAFE, this trade aspect of bookbinding has really been made apparent to me, because that’s how bookbinding is taught: as a trade. So we learn all the ‘right’ ways to do things, practices that with practice (!) will become second nature, and will result in a high-quality, well made book. We are not really given much opportunity for creativity (unless you’re a rebel like me and use random bits of waste paper as end-sheets!) but it is only the first semester of the course. I am not complaining. As I mentioned above, I think it is a good thing to know all the rules and the right ways of doing things—after all, doesn’t one need to know the rules to break them?
I yearn for the chance to create a book beautifully bound in leather with a beautiful design tooled into the covers. I also yearn to create books that are well-made and that will last. I look forward to learning the more decorative skills, but I look forward with as much eagerness to learning better bindings, and to bettering my skills.
Ah yes, a well-made book is truly a piece of functional art. I share your respect and love for the craft. It has given me many hours of satisfaction knowing that I am creating something worthwhile to leave behind that will be treasured for many years.
Thanks for the comment. The best part of making a book is giving them away for me.
You make my heart sing! I loved reading this blog. Your passion bought a tear to my eyes.
Thanks baby. That comment brought a tear to mine.
Hey Jacob! What a finding! It’s been so nice, and fun, to read your post. I love the part when you say that you use ‘random bits of waste paper’ –I absolutely agree with you that to break the rules effectively you have to know them. I’ve been a victim of long, boring lessons about how to make a proper book (although I knew it was not uninteresting at all) and as a result, I am developing a rubbish, simple way of crafting books. It also has to do with my impatient nature and some other intimacies, but I’m very glad you care about excellent skills, and to have found yours! Actually, I think we’re in a kind of pseudo-renaissance about craft and making…
Thanks for your comment. Although I use more traditional methods, I totally love the idea that you are developing your own way of bookbinding. Is that a little post-modern? And I agree with your idea of a renaissance in craft and making, and I think that is wonderful. Do you think It possibly could have something to do with the increased awareness of recycling and reusing things we once would have thrown away?
what a wonderful window has been opened up to me since you started doing book-binding Jake! You have such skill already, can’t wait to see your progress. And though I’m not surprised at that, it really is great to see you being able to express that deep desire to create something beautiful using your mind, heart and hands. Mum
Thanks, Mum. I hope you enjoyed reading.